Thursday, October 17, 2024

Gwendolyn Brooks' Family Pictures (#1970Club)

 

Speech to the Young

Say to them,
say to the down-keepers,
the sun-slappers,
the self-soilers,
the harmony-hushers,
"Even if you are not ready for day,
it cannot always be night."
You will be right.
For that is the hard home-run.

Live not for battles won.
Live not for the end-of-the-song.
Live in the along.
-Gwendolyn Brooks

Paul Robeson

That time,
we all heard it,
cool and clear,
cutting across the hot grit of the day.
The major Voice,
the adult Voice,
forgoing Rolling River,
forgoing tearful tale of bale and barge
and other symptoms of an old despond.
Warning, in music words
devout and large,
that we are each other's
harvest:
we are each other's
business:
we are each other's
magnitude and bond.

-Gwendolyn Brooks

Gwendolyn Brooks' short volume of poetry Family Pictures came out in 1970. Two years earlier she had been appointed Poet Laureate of Illinois, a title she held until her death in 2000. She was also the Poet Laureate of the U.S. for the 1985-6 term. She was a lifelong resident of Chicago.

I'm not sure exactly which song of Paul Robeson's she's thinking of--by 1970 Paul Robeson's health was poor and he wasn't performing anymore. The poem suggests he's having moved on from Ol' Man River, and it's true that Paul Robeson became much more political. (Not always in admirable ways.) So here's Paul Robeson singing "I Dreamed I Saw Joe Hill," the union organizing song:




Tuesday, October 15, 2024

Philip K. Dick's Our Friends From Frolix 8 (#1970Club)

    "You're married, too, you have a wife, and you have two children. Is your respon--" Again his tongue failed to function properly. "Where's your first loyalty? To them? Or to political action?"
    "Toward men in general."

In the year 2135, Nick Appleton works at a lower class job, as a tire-regroover. On this future earth, your status is set by a supposedly meritocratic exam you take as a young teen. But when his boy Bobby, whom Nick knows is bright, fails the exam, Nick begins to question the whole system.

What is the system? There's a world dictator, picked by a two party system, the New Men and the Unusuals. Willis Gram, an Unusual, is the current world dictator. New Men are those that have tested brilliant; Unusuals have uncommon powers: they're precogs, telepaths, telekinetic. (Gram is a telepath.) Ordinary people are known as Old Men. There's a rebel movement, known as the Undermen. And we learn, on the fifth page of our story, that yes indeed, those supposedly meritocratic tests are rigged.

Some years ago, Thors Provoni flew off into space to find a powerful alien to help him overthrow this corrupt system and now he's on his way back. With an alien? So he claims. Should your loyalty be to your wife, child, that pretty girl you just met, your party, the corrupt but functioning system, the oppressed, the human race (maybe) under attack by aliens?

Now this novel isn't, as far as I can see, on anybody's list of best Philip K. Dick novels, and well, it shouldn't be... 😉 But I was surprised how good it was. It does come from the middle of a major period for Dick. The flawed or corrupt characters represent most of those choices about loyalty, and even the worst choices are somehow given space to feel true for a moment. It's true, though, that Dick's prose rarely rises above functional, and in this one, maybe not at all. The ending is a little rushed. Still, a pretty fun read.

Yesterday's Macanudo strip. Timely!

Sure it may all take place in 2135, but in its heart of hearts, it's a 1970 novel. Drug dealers, souped-up cars, and is that Bob Dylan guy really any good?



Monday, October 14, 2024

J. G. Farrell's Troubles (#1970Club)

"In those days the Majestic was still standing in Kilnalough at the very end of a slim peninsula covered with dead pines leaning here and there at odd angles." [5]

The opening of J. G. Farrell's Troubles. Those days are 1919, and the Majestic is a grand old hotel in Ireland, by then fairly dilapidated. The hotel was bought by the Protestant widower Edward Spencer some years before; the vendor told him the hotel attracted a regular clientele, but what he didn't tell Edward was that very few of that clientele had money to pay their bills.

Edward has four children, the oldest Angela, a son Ripon, and teenage twin terrors, Faith and Charity. Angela has her Major, who arrives in Kilnalough at the start of the novel.

"In the summer of 1919, not long before the great Victory Parade marched up Whitehall, the Major left hostpital and went to Ireland to claim his bride, Angela Spencer. At least he fancied that the claiming of a bride might come into it. But nothing definite had been settled." [7]

Major Brendan Archer had met Angela in Brighton when on health leave in 1916. They'd kissed once, he'd returned to the trenches, and ever after he was receiving letters from "your loving fiancée, Angela."

Brendan is particularly hapless at the business of romance:

"Until now, incredible though it may seem, the Major had never considered that love, like war, is best conducted with experience of tactics." [253]

When the Major gets to Kilnalough, Angela avoids him. She was tubercular the whole time. ("I thought you knew.") 

There was another prospect, but the Major hadn't even realized: she writes that he hoped he didn't mind, but after waiting, she eventually married someone else. "She oppressed him, though, by the intensity of her feeling for him, and that was the principal thing he now remembered about her. She had had a tendency to hug him violently, squeezing the air out of his lungs--it's distressing to be squeezed very hard if you are not trying to squeeze the other person back. One feels trapped." [255]

And there's a third girl he's attracted to: Sarah, but she's Catholic. After Angela dies he allows himself to fall completely in love, but just like with Angela, the Major barely talks to Sarah. After a year of aimless loitering, he bumbles out a proposal: 

    "Look here, I want you to be my wife."  He could say no more. He could not move. He stood there waiting like a pillar of salt. He could see, though, that it was no go...
    She said crossly, "Oh, I know you do, Brendan." [349]

Hapless!

All the while Brendan Archer is loitering in Ireland, and not getting married, the Majestic continues to fall down or is pulled down by desperate or angry Catholics; its owner, Edward Spencer is going somewhat mad in his attempt to hold up some sort of Protestant Irish standard. Major Archer, Edward Spencer, the Majestic hotel itself--almost a character in itself--are all of a piece: decaying, under attack, committed to vanishing and misguided standards, Anglo-Irish, ineffectual. If you're a symbol-spotting kind of person, the Majestic hotel is definitely a stand-in for the last years of the Protestant Irish Ascendancy.

The book ends with the arrival of the Irish Free State in 1922; the Protestants flee and the Majestic burns to the ground.

The book has a blurb on the back from The Guardian: "Sad, tragic, also very funny." Sad and very funny both are abundantly true; the tragic, though, is a bit more of question: it depends on whether you think they're so hapless, they deserve what's coming to them. And they might! 😉

J. G. Farrell wrote three novels in the 70s--this was the first--called the Empire trilogy, The remaining two are The Siege of Krishnapur (1973) and The Singapore Grip (1978). Troubles won the Lost Booker for those novels that came out in 1970 and due to a rules change weren't eligible for any Booker Prize. The Siege of Krishnapur won the Booker for its year as well. All three are great. All three focus entirely on representative members of the Empire; the subject populations--Irish, Indian, Malay or Chinese, respectively--are anonymous, nearly invisible. Did Farrell not want to appropriate the stories of the oppressed? Did he simply not know those people as well? (Farrell was born in Liverpool, but came from a Protestant Irish family of colonial administrators.) Or did the stories of hapless English in colonial settings just seem funnier? I suspect the last myself.

John Banville in a well-done introduction calls this Farrell's masterpiece. Could be, though I'd plump for The Siege of Krishnapur myself. Funny as this is, Siege is even funnier. It's also shorter and would make a better introduction if you haven't read any of them. But they're all three great and I suspect I'm going on to reread the other two as well.


It's the week of the 1970 Club, hosted by Simon & Kaggsy! Isn't that a cool logo?

My organizing post for this fall's club is here, with links to a few books from 1970 already on the blog. (Tony Hillerman, Brian Moore, Shirley Hazzard.)

Also:

"...how incrediby Irish it all is..." [24]

This is my trip to Ireland for this year's European Reading Challenge.

 

Page numbers are from the New York Review of Books edition shown above.

I'm hoping to get a couple more in this week. Are you reading something for the 1970 Club? Any favorites from that year?