I reread the first Charlie Chan mystery The House Without a Key a couple of weeks ago for the #1925Club. It reminded me there was a book I had wanted to read since I first heard of it:
It was really good!
Huang first tells the story of Chang Apana, the Honolulu detective, who inspired the character of Charlie Chan. Apana was born in Hawaii to Chinese immigrant parents who went back to China when he was young. But Apana returned to Hawaii with an uncle, and then stayed. He worked as a cowboy, a house servant, the enforcer for the newly enacted statute against animal cruelty; then when the Honolulu police force was officially constituted, he became the only Chinese detective on the force. He seemed to have been good at all his jobs.
Huang then tells the story of Earl Derr Biggers. Biggers had grown up in Ohio to a middle class family. He worked as a journalist and had already become a successful author. But when in 1925 he published the first Charlie Chan novel, those earlier successes could no longer compare. Biggers wrote six Charlie Chan mysteries but died young of a heart attack.
Then there were the movies: there were three early movies, which went nowhere. In all of them Chan was played by a Japanese actor; it was only when Warner Oland (a Swede!) took on the role, they became a success. That's his picture on the cover lower right. (And Chang Apana in the upper left.) Oland's Chan was a huge success even in China, where he was mobbed when he made a publicity trip. And the Chinese were perfectly capable of scorning series they didn't like, such as those around Fu Manchu.
And Huang goes on to talk about the reception of the Charlie Chan character, and that was in some ways the most fascinating. Biggers admired the actual Chang Apana; they met a few times and their respect was mutual, and he intended Charlie Chan to be an antidote to all the Yellow Peril arguments of the time. But Chan talks in that pidgin: how can he be an admirable figure? Well, Huang demonstrates how it could be a whole lot worse. And Chan in the novels is competent and willing to stand up to prejudice when he sees it. Still in the 80s and 90s Chan was viewed as a stereotyped Asian whiz kid, or worse a yellow Uncle Tom, and nothing but cultural appropriation to boot.
Is that all he is? Of course, he is, partly. But Huang reminds us that much of American art comes about from a collision with somebody else's half-understood culture. This is perhaps most obvious in music (though not Huang's topic) and he rightly notes we'd have to give up a lot to achieve that sort of purity of the past.
Huang's includes a little of his own biography, which is fascinating. He was a student, majoring in English, at Peking University in 1989, and went to camp out in Tiananmen Square. But before the tanks rolled in, his parents lured him home by sending a telegram that his mother was dying. (She wasn't.) Nevertheless he decided to emigrate, worked in lowly jobs in the US, until he decided to go back to school where he got a Ph.D. in English. As of the writing of the book (2010), he was teaching at University of California, Santa Barbara.
Huang clearly enjoys the Chan mystery series himself; he ends the book with a two page list of Charlie Chan aphorisms. Can't resist a few:
Hasty deduction, like ancient egg, look good from the outside.
Man who flirt with dynamite sometime fly with angels.
Murder like potato chip--cannot stop at just one.
Some heads, like hard nuts, much better if well cracked.
Mind, like parachute, only function when open.
I felt like it really added something to my earlier reread of the first Charlie Chan mystery. Does that mean I'm about to go reread them all? Careful examination reveal clue: bookmark in second volume of series!
If you have access to the New York Review of Books, the original review which caught my attention is here.



Interesting! I used to watch the original movies growing up with my Dad. I'll check this out...!
ReplyDeleteI remember watching the movies after Saturday morning cartoons--but I haven't seen them since. Now I want to.
DeleteVery interesting, and a great (and again, unique) addition to Pairs Week!
ReplyDeleteThanks, and thanks for hosting!
DeleteHuang's book sounds awesome. And how fun to pair it up with those Charlie Chan mysteries! :D
ReplyDeleteIt was a pretty great read!
DeleteI had no idea there was a real person the Charlie Chan character was based on. Fascinating.
ReplyDeleteI don't think I'd known about Apana until I first read about this book. They were pretty different actually: Apana was small and wiry and tough and his most famous episodes involved him going into a gang of thugs and taming them single-handedly. Which he did repeatedly!
DeleteHah, of course you couldn't resist the aphorisms! But who could? They are perfect! The potato chip one really made me laugh. This sounds like such a fabulous project: I wish I could join you, but I'll enjoy vicariously as you move that bookmark along.
ReplyDeleteOnly one more to go! Huang doesn't source the aphorisms which is a bit disappointing, but Charlie Chan Carries On is the source for the potato chip one: 4 dead and 2 attempts!
DeleteActivists and critics nowadays disrespect poor Charlie Chan for his inscrutability, servility, dainty walk, sing-song voice, and unidiomatic English (in Behind That Curtain, he says, “The facts must be upearthed”). Writer Gish Jen even dismisses Chan’s astute intelligence, designating him as “the original Asian whiz kid.” I wonder sometimes if nowadays critics are annoyed with Chan less because of the novels (little read probably) but more because of the movies which had yellowface and cringe-worthy stereotypes of blacks, rustics, and women.
ReplyDeleteGoldurn technology! Anonymous up there was me, dammit. "Every man must wear out at least one pair of fool shoes." (Charlie Chan Carries On)
ReplyDeleteI also wonder if wasn't the movies most people were remembering when they decided Charlie Chan was insufficiently PC.
DeleteGish Jen was one of the people Huang cites when it comes to canceling Charlie Chan (and that's where I got the Asian whiz kid bit). Also Jessica Hagedorn, though Hagedorn was still happy enough to blurb Huang's book. (No word from Jen, though.)
Just finished my reread of Charlie Chan Carries On. Only one more to go.
Here's all the movies we have without ads no less...Beware, there be Stepan Fetchit..
Deletehttps://www.youtube.com/watch?v=mS6s6f99Qew&list=PLneHqkv93L2g4e-hVqQeTygLegk0IWDgI&index=1
Thanks! Huang discusses the Egypt one with Stepan Fetchit. I don't remember ever seeing that one when I was a kid, but Huang even defends that one, observing it's the POC who are honest and hardworking and the whites who are all liars and cheats and crooks.
Delete