Showing posts with label Robert Hass. Show all posts
Showing posts with label Robert Hass. Show all posts

Thursday, April 22, 2021

Robert Hass (#NationalPoetryMonth)

 


Fall

Amateurs, we gathered mushrooms
near shaggy eucalyptus groves
which smelled of camphor and the fog-soaked earth.
Chanterelles, puffballs, chicken-of-the-woods,
we cooked in wine or butter
beaten eggs or sour cream,
half expecting to be
killed by a mistake. "Intense perspiration,"
you said late at night,
quoting the terrifying field guide
while we lay tangled in our sheets and heavy limbs,
"is the first symptom of attack."

Friends called our aromatic fungi
"liebestoads" and only ate the ones
that we most certainly survived.
Death shook us more than once
those days and floating back
it felt like life. Earth-wet, slithery,
we drifted toward the names of things.
Spore prints littered our table
like nervous stars. Rotting caps
gave off a musky smell of loam.
'Fall' is from Robert Hass' first book of poetry Field Guide (1973). It won the Yale Younger Poets prize that year. One could cook from it for weeks, eating well the whole time. The younger Robert Hass from the back of the book:


He looks like he just came back from mushrooming. Or maybe it was something else that 'late at night' messed up his hair.

Poem for a Thursday is a meme started by Jennifer at Holds Upon Happiness. Brona has a poem by H.D. this week.


Thursday, June 20, 2019

Poem For A Thursday: Hass


Meditation at Lagunitas

All the new thinking is about loss.
In this it resembles all the old thinking.
The idea, for example, that each particular erases
the luminous clarity of a general idea. That the clown-
faced woodpecker probing the dead sculpted trunk
of that black birch is, by his presence,
some tragic falling off from a first world
of undivided light. Or the other notion that,
because there is in this world no one thing
to which the bramble of blackberry corresponds,
a word is elegy to what it signifies.
We talked about it late last night and in the voice
of my friend, there was a thin wire of grief, a tone
almost querulous. After a while I understood that,
talking this way, everything dissolves: justice,
pine, hair, woman, you and I. There was a woman
I made love to and I remembered how, holding
her small shoulders in my hands sometimes,
I felt a violent wonder at her presence
like a thirst for salt, for my childhood river
with its island willows, silly music from the pleasure boat,
muddy places where we caught the little orange-silver fish
called pumpkinseed. It hardly had to do with her.
Longing, we say, because desire is full
of endless distances. I must have been the same to her.
But I remember so much, the way her hands dismantled bread,
the thing her father said that hurt her, what
she dreamed. There are moments when the body is as numinous
as words, days that are the good flesh continuing.
Such tenderness, those afternoons and evenings,
saying blackberry, blackberry, blackberry.

-Robert Hass

Robert Hass is an American poet born in 1941, and this, from his second book of poetry, is undoubtedly his most famous poem. 

When I was an undergraduate, I heard him give a reading, and the introducer compared him to Wordsworth (I think it was) and imagined undergraduates going around the quad, chanting, 'blackberry, blackberry, blackberry.' 

Despite all that I still like it...😄

Jennifer at Holds Upon Happiness has one of the great Auden poems this week.