Showing posts with label Jane Jacobs. Show all posts
Showing posts with label Jane Jacobs. Show all posts

Saturday, April 18, 2026

Some Previous 1961 Reads

Two books from 1961 have made it on to the blog before, both by Erle Stanley Gardner. One was a Perry Mason story, The Case of the Spurious Spinster:


The other was a Cool and Lam tale, Shills Can't Cash Chips:

It being Gardner, those two weren't even all the books he wrote in 1961, but I thought both were pretty good entries in their series.

Also in the mystery department, but not on my blog, The Wycherly Woman is one of the best of Ross Macdonald's Lew Archer series. 

I've seen lots of people remark how many great choices there were for 1961 and so, of course, some things will be neglected. But there were two I read before I started blogging that I felt were kind of masterpieces when I read them and they didn't seem to be on anybody's radar, so I thought I'd drag them in:

Riders in the Chariot

Patrick White (1912-1990) was the Australian novelist who won the Nobel in 1973. In his Riders in the Chariot--in spirit the chariot is that of Elijah--four otherwise unrelated individuals in suburban Sydney are marked by mystical experience as hidden saints in a world of prejudice and contempt. Can an Aboriginal artist, an evangelical washerwoman, a childlike heiress, and an Auschwitz survivor redeem this world? 

A clue: in the epigraph to the novel, White quotes William Blake's idea of Isaiah speaking, "...the voice of honest indignation is the voice of God, I cared not for the consequences, but wrote..."

The Death and Life of Great American Cities 

Jane Jacobs (1916-2006) was a writer and activist on urban issues. The Death and Life of Great American Cities is her major work. It's full of surprising and brilliant insights: she's a theorist of urban planning who quite often thinks too much planning is bad for cities. I have a couple of pages from an old New Yorker tucked in my copy and in it she says of the city, "...a place full of hope and expectation, and this is has nothing to do with architecture. Those are the emotions that draw us to cities, and they depend on things being a bit messy." Her book isn't Theory with a capital T. It's often said she had a novelist's eye, and it's true: the book is wonderfully readable.

Jacobs cut her teeth as an activist saving Washington Square in New York City from an expressway. She moved to Toronto in 1968, and did the same for us here by helping to squelch the Spadina expressway. The last thirty-five years of her life she lived in a house shown on her Wikipedia page:

Jane Jacobs home Toronto  

And the last four years of her life, she was my neighbour. (We live on the opposite side of the street about eight houses up.) In any halfway decent sort of weather I used to see her sitting on the porch--"Eyes on the street" was an important concept for her--but I never had the nerve to introduce myself.

What other 1961 books would you have liked to see?


 Thanks to Simon and Kaggsy for hosting!

Wednesday, March 29, 2023

Victor Gruen's Shopping Town

"For readers who hope to be entertained by description of adventures, or for those want to be enriched by reports of the success and various detours of a contemporary, I hope my story will suffice. After all, this contemporary was part of the first eight decades of the twentieth century."

-Vienna, March 8, 1979


"...one of the ten best architects of the twentieth century."

-Time Magazine


Victor Gruen (1903-1980), born Viktor Grünbaum in Vienna, is known today, if at all, as the 'father of the shopping mall.' As a title, it's ambiguous, not entirely admirable. He would agree. 

On the way to acquiring that title, there were indeed some adventures. Gruen was born to an upper middle class family in Vienna; his father was a lawyer. They were assimilated Jews, not practicing. (Gruen says he was in synagogue only for the weddings of family friends.) In 1918, at the end of the war, his father died of the Spanish Flu. Austria in general, and the Gruens in particular, were impoverished. 

Gruen had always been interested in architecture, but with no money for education, he apprentices himself as what seems to be basically a bricklayer. At the same time (this is the 1920s) he organizes a left-wing (Socialist) cabaret for which he functions as the MC. He wangles a year at a university architecture department, but the anti-Semitism as well as what he considers the lack of imagination on the part of the teachers keeps him from completing a degree. 

The cabaret is squelched with the rise of Austrofascism (Gruen calls it a 'dictatorship tempered by sloppiness') when Dollfuss becomes Premier in 1932. Still Gruen is managing some more architectural commissions, most notably shop fronts, and has nearly qualified as an official architect by means of experience and exams. But it's now 1938, and when in March Karl Schuschnigg says the Austrian military will not resist should the German army force Anschluss, Gruen realizes he has to be ready to run at a moment's notice.

This is the moment of the 'description of adventures' Gruen promised in the introduction (quoted above). US immigration law required an affidavit from a US resident, with a promise of financial support, to acquire a visa to enter the US at the time. Gruen had an uncle who'd emigrated to the US in 1914, but the uncle, while well-meaning, was still impoverished. But Gruen had made friends with a woman, Ruth Yorke, who'd come to Austria to learn German in the 20s. She became a star on a radio soap opera, and had rich friends; one of them agrees to become Gruen's sponsor. He gets the necessary  exit visa, now a German one, and the required transit visas: his plan is to travel via Switzerland, France, and the UK. (Anna Seghers' Transit covers some of the same visa complications.) But when he's about to go, he learns that the Gestapo has occupied his apartment in his absence, and he's advised not to go home. But everything he needs to leave is still there. 

Earlier a non-Jewish friend had told him that he was joining the Nazi party to keep his job, but that he was still a friend and if Gruen ever needed any help... So Gruen calls up this friend and explains the situation. A few hours later the friend shows up in a Storm Trooper uniform--Gruen is terrified--but he has the luggage and visas and tells him to go, go, go. It's only after the war, when he meets this friend again in Austria, that he learns the story: his friend had stolen a uniform, shown up at the Gruen apartment, and said, These are the belongings of the Jew Viktor Grünbaum and henceforth confiscated, carrying them all away. 

The story even has an amusing (?) denouement: this friend was labeled politically unreliable for this, was immediately drafted into the German army, and sent to various dangerous fronts. Promotions to officer class were refused for him. Still, he survived. At the end of the war, when the Russians occupied Vienna, he was arrested as a Nazi, but was able to prove that, though he had been a Nazi, he was also politically unreliable, and so was let go. 

Anyway, those were the thrills...now we're on to the successes and various detours. 😉

Actually, maybe a moment about the story of the book. Gruen did have an interesting life, wrote some works about architecture and city planning over the course of his professional career, and later in life, various people told him, you should write an autobiography. He wasn't especially interested, he says, made a few half-hearted stabs at it, but then his doctor told him he was near the end, and he took it more seriously. This is the book. It was originally written in German, but this English translation is from 2017. It's pretty finished, but wasn't published during his lifetime, and it's a bit imbalanced. It's clear the thrilling parts engaged him more. He writes about the first several projects that got him established in the US, but he doesn't say much about his professional career after about 1956. Instead he discusses a few failures: a plan to make central core of Fort Worth pedestrian-only, his plan for a residential development on the old Newhall Ranch in Valencia, California, (Suburban L.A.), and a plan to revitalize Teheran that collapsed when the Shah was deposed. (Though it was already going south before that.) The last third of the book discusses his idea of environmentally-oriented city planning: pedestrian-only downtown cores; electric trams and subways; but massive parking garages on a ring road that surrounds that core. After his part finishes, there's a couple of reminiscences by his children, and a rather annoyingly theoretical (Walter Benjamin! Gilles Deleuze!) afterword by the translator, who is an Austrian academic.

He started in the US, with changes to shop fronts to invite browsing:


These were on Fifth Avenue in Manhattan. Lederer, of the store on the right, was also a Jewish emigrant from Vienna. 

He came up with the idea for what would be a shopping mall--a pedestrian shopping center--during World War II, but it couldn't be built then. But he keeps the idea in mind for after the war. His first completed was for the owner of Hudson's, then the major department store in Detroit (and the second largest in the country); they built the Northland Mall in suburban Detroit, completed in 1956. His second, for the Dayton family, owners of the large department store of Minneapolis, was the completely enclosed Southdale Center, the first of its kind. This the maquette for it:


The raised access roads were for buses to get to the center. The interior was meant to be walkable and inviting; while this wasn't his vision, it seems obvious to me in retrospect that the acres of parking around it would inevitably lead to its being isolated from the community. But maybe he can't be blamed for the outcome? In any case he recognized the subsequent negative aspects of what he'd initially designed and had hoped for something different.

His idea of his relationship to his clients:


I was a bit surprised when he quoted from an early article by Jane Jacobs that praised his Detroit mall; I would have thought she would have objected. I wondered if she later changed her mind on Gruen, and I looked him up in the index of The Death and Life of Great American Cities of 1961 (A wonderful book! Read it if you care about US cities.) and he's there, but she's still quite impressed, and discusses his Fort Worth plan at considerable length. If you know the Jacobs, you'll know she's quite capable of doing down city planners she doesn't like. (Robert Moses, Lewis Mumford.)

Anyway, an interesting book about which I've gone on long enough...Though his second wife, Elsie Krummeck, was pretty fascinating in her own right: his business partner until they divorced, a talented designer in her own right, mother of his two children, and I could have devoted more space to her.

A couple of quotes:
[From a description of his Matura thesis]: "I argued that Faust could have saved his soul with a grand vision of liveable homes on land reclaimed from the sea. The idea was a little far-fetched, I now admit."

"They could not believe a Californian would take a train instead of a car." [In regard to the Valencia project--whoever 'they' were, they may have been right.]

"The mass use of individual transport machines [cars] within a collective is an absurdity, a life-endangering breach of all the values of a city. It means that all citizens may also insist on possessing their own wells, septic tanks, rifles." [Though it is the US: all citizens may insist on possessing their own rifles...]

Anyway, born in Vienna, he lived there until he was 35; later in his life when he was a successful architect, he had an international practice with homes in L.A. and New York, but he also had a place once again in Vienna, where he primarily lived after he retired at the age of 65. So I'm calling it the Austria book for my European Reading Challenge:


I first saw the book mentioned here which has more information.